Zarum signature as on his paintings

FAQ

About the Practice

  • Zarum is a multidisciplinary artist whose practice spans visual art, music, and the hand-building of guitars. These parallel disciplines are developed through sustained studio practice and a shared commitment to material understanding and craft.

  • While distinct in form, the practices share common principles: patience, attentiveness to material, and a long-term approach to making. Each discipline informs the others without being treated as a hybrid or conceptual fusion.

  • Zarum’s primary identity is that of a visual artist. Guitar building and music exist as parallel studio practices, developed independently and with equal seriousness.

About the Guitars

  • Zarum builds classical and flamenco guitars, developed through traditional construction methods and long-term material preparation.

  • Zarum builds classical and flamenco guitars, developed through traditional construction methods and long-term material preparation.

  • No. The guitars are functional instruments, built to be played. While they reflect the same care and craftsmanship present in the visual work, they are not presented as artworks.

  • Zarum guitars are placed in the hands of professional players. Performance documentation reflects the instruments in use rather than endorsement.

  • The timeline varies. Each instrument is built without rushing, allowing materials to respond naturally through each stage of construction and acclimatization.

  • Zarum maintains dedicated studios for visual art, music, and guitar building. Each space supports focused, hands-on work rather than production-scale output.

  • Studio visits are limited and typically arranged by invitation or for professional purposes.

Studios & Work Environment

General Inquiries

  • All inquiries can be directed through the contact page on Zarum.net.

  • The site evolves as new work is completed and documented. Updates are made deliberately rather than on a fixed schedule.

  • The presentation is intentional. The site is designed to allow the work to be encountered without distraction or excessive explanation.

About the Artwork

  • Many works are developed within focused series, each exploring specific formal or material questions. Other works are presented as Studio Works, reflecting broader or exploratory directions within the studio.

  • Zarum works across painting, drawing, sculpture, and mixed media, with materials chosen based on the needs of each series rather than adherence to a single medium.

  • Availability varies by series and work. Inquiries regarding acquisition can be made through the contact page.

Materials & Process

  • Wood is sourced through a combination of carefully selected external suppliers and property-owned material. All wood is processed and prepared in-house.

  • Wood undergoes long-term air drying, controlled kiln finishing, and extended acclimatization. The process prioritizes stability and longevity over speed.

  • Material stability, tonal development, and structural integrity require time. Rushing the process compromises long-term performance and durability.

Music & Lyrics

  • Music is developed as a parallel creative practice. While it shares a similar sensibility, it is not intended as accompaniment or explanation of the visual work.

  • Lyrics are approached as compositional material rather than autobiographical statements, and are open to interpretation.

Press & Documentation

  • Yes. Selected interviews, features, and documentary material are available in the Press section of the site.

  • Reproduction or publication requests should be made through the contact page.

  • Zarum’s work is best understood through series-based exploration, where individual pieces contribute to a larger formal and material investigation.

  • Most visual works are unique pieces. Any editioned works are clearly identified as such.

  • Representation varies by project and period. Professional inquiries are welcomed.

  • The guitars should be understood as functional instruments developed with the same care as the visual work, but not presented as artworks.

  • Studio visits are limited and typically arranged by invitation or professional request.

Collector & Curatorial Questions

For inquiries not addressed here, you are welcome to make contact directly.